Showing posts with label corthay. Show all posts
Showing posts with label corthay. Show all posts

Shoes -- Part 2: Style Names & Terminology -- Boots


As you many very well know, boots come in all shapes, sizes and styles. And even today they are ever-evolving, as I shall share an example (of something new and unique) with you either tomorrow or for my shoes of the week post that I usually do on Fridays. I was never a huge boot fan until I saw my first spat boot. After that, it was pure love. Now, I want every kind of style of boot in every colorway. I even had 3 of them made up for my first collection. Quite a bit for an introduction to the world. But as the days go on, I feel that boots are becoming increasing sought after, as the homogeneity of low-cut shoes (aka normal shoes) begins to bore many individuals. They therefore look to something else. And that something else is very likely to be a boot. 

Pictured Above & Below, Left: My own Gaziano & Girling 'Wigmore'

Balmoral Boots

Gaziano & Girling
Alfred Sargent












Crockett & Jones
Septieme Largeur











Balmoral boots are are definitely among my top favorites of all the boot options. Let's call them my adopted favorite. Adopted because the spat boot is my true favorite but considering the fact that they are very very hard to come by and will most likely run you a minimum of $1000, I have to say that for practical sake, the balmoral boot is what I prefer. What's nice about them is the fact that they are simply a dress boot. A boot that you can wear as if it was a shoe, i.e. with your suits. Not too many other boots can do that, because at first site you can easily tell that they are a boot. But with a balmoral boot, it looks like a shoe when your trousers are covering it. I feel that for this very reason, they have become increasingly popular in recent times, as people may be bored of wearing traditional shoes and are therefore opting for something a little different, and this being the perfect example.

Derby Boots


I can't say that this is the exact proper name for them, but this is what I like to call them. They are really just like a balmoral except the fact that they have open lacing. Just as beautiful too, as they allow for a more casual look. This pair above, by Edward Green is probably the nicest derby boot I have ever seen and I could definitely see myself in this everyday, paired with my jeans. Then again, I could easily see myself in all of the boots that I am putting here, especially since I come to think about it, I really don't own a pair of derby boots. Boots, in general, have definitely been something that I did not put much effort into getting, in the past. But now that I have amassed a huge collection of laced shoes, I think that I need build up my loafer and boot game.

Helm
Gaziano & Girling








Spat Boots

Jan Kielman

As I have mentioned a million times before, I believe that men dressed at their best during the Edwardian and Victorian eras. Clothing seemed to be appreciated so much more and elegance was something to uphold. And during those times, many men wore high cut boots, particularly spat and balmoral boots. I don't know why makers were inclined to make them then, but nowadays they are virtually unheard of in a ready-to-wear option. Maybe its because, today, men walk harder and are more aggressive in their nature, which makers feel that the buttons will therefore break too easily. This will then cause headaches for the customer with the broken buttons and in turn will lead to the manufacturers having to deal with those broken buttons. Whatever the case, it sure is sad that they are not more readily available.

Anthony Delos - Spat cover + shoe
Perfetto











Chukka Boots

Corthay; Picture via Leffot

Chukka boots are among the most versatile shoes in the shoe industry. If done right a chukka boot, such as the one picture above, can transition between jeans and suits within the same wear. The cleanliness of them, being that they tend to be stitch free on the vamp and toe area, allows for them to dressed up. But at the same time, the fact that they still are a boot gives it that automatic jean and casual appeal. Out of all of the shoes that I own, I am almost without a doubt that aside from my commuter shoe (which does not count), I have worn my chukkas more than anything. You just can't beat their versatility!


Whole Cut Boots

Septieme Largeur

This is the second time that I have seen this done before. The first time was by Japanese bespoke shoemaker, Imai Hiroki (pictured below). It's like an oxford version of a chukka boot. It's quite strange to see in picture, but they look really nice in person, as I was able to check out the last time that I was in Paris at the SL shop. My only concern with them is the ankle area and how it will feel with that whole piece of leather. But then again, it would most likely not be designed and selling if it was not comfortably wearable. They are pretty cool nonetheless. Being a whole cut fan weather it a laced shoe, loafer or boot, means that I have to like this one too! I just need to get my hands on a pair!

Septieme Largeur
Imai Hiroki


Septieme Largeur


Chelsea Boots



Ahh, the chelsea boot. Probably my least favorite boot, up until recently, which as I stated above will share with you on Friday. I don't know why I have never really been the biggest fan of them. I guess it's because I really see that gore as being too casual to be "nice." Don't get me wrong, a good chelsea boot is an amazing casual shoe, but it's tough to make them dressy. This Koji Suzuki model above is probably the nicest that I have ever seen. He seemed to make all of the proportions in just the right way, allowing for a sleek and dressy look. It may seem trivial, but I believe that for a chelsea boot, getting these proportions down right is much harder than it seems, at least to make the boot on the dressy side. Beatle boots are another form of chelsea boots except that they are cut much more lower. It became a style that was popularized by the rock group, The Beatles in the 1960's. They can also have a zipped side, but they are usually regarded to be a descendant of the chelsea boot. Beatle boot picture below by Corthay.



Jodhpur Boots

Rider Boot Co.
Originally used as a riding boot, the jodhpur boot has now been transformed to be one the coolest jeans boots ever. Not really that dressy due to the straps, I find them to be perfect as a great jean boot. There is something that is rugged and manly about them, even though they look nice and elegant. Another boot that I do not own, but will definitely be adding to the collection!

Barker Black
John Lobb via Leather Soul






READ MORE - Shoes -- Part 2: Style Names & Terminology -- Boots

Grades Of Shoe Craftsmanship

Bespoke models by Corthay

As I have stated before, there seems to be a whole lot of confusion as to how a shoe is made (whether by hand, machine or a bit of both), particularly due to the lack of knowledge from salesmen at retail stores, as well as the misrepresentation of words (such as 'handmade') printed on a shoe itself. These two things, coupled with the gullibility and naïveté of many male consumers, leave a lot of people to believe that their shoes are of a higher quality/grade than they actually are. Normally I wouldn't care about such things, as it's hard to try and correct every lie that people are told each and every day in order to buy such and such product, but as a person who truly cares about the reputation of shoes and the fact that I have my own brand coming out soon, I feel that this issue must be acknowledged, thoroughly and constantly until people start to become more aware. Now some of these terms were created many years ago, and have been modified/altered in terms of their defining features, so I will give the account that I believe to be correct, which just might be up for debate...

Mass Produced



While I have never actually seen this done (as in never been to one of these factories), mass-produced shoes would be the kind that are pumped out thousands by the day, as common sense would tell you. Shoes that are predominantly created by machines, conveyer belts, and chemical products. Think glued shoes, shoes that are selling by the millions a year. There is simply no way that people can be there to pump each and every one of them through. Sure you have people who will work the machines and handle the shoes, as in maintain them electronically or however, so that there are no hiccups in production, but there are definitely not any skilled individuals guiding the shoes along, making sure that every detail is sorted out. These will be the shoes that will retail under $200 (£125). They will be shapeless, use low-grade leather, most likely not be that comfortable and won't last a long amount of time. This is not always the case though, as some brands (whose pockets are deep) have found a way to produce the shoes cheap, but give you something that can rival a decent shoe (think Ecco shoes - decent leather, long-lasting but mass produced).

Bench Grade 

Crockett & Jones

For me, a bench grade shoe denotes the presence of a skilled worker at each machine within the factory, who is actively taking part in the production process by guiding the shoes through each stage of manufacturing. This takes people with years of experience and knowledge. Not any 'ol Joe off of the street could just start doing this.... Now, this next bit is where myself and others might differ, but I don't believe that a bench grade level of craftsmanship strictly refers to goodyear welted shoes. Santoni, for example, who predominantly makes blake stitched shoes, has skilled workers positioned at every machine, guiding the shoes along, in order to produce them. This for me, also indicates a bench grade shoe. Now bench grade shoes, are going to be your entry point into quality footwear. They will use medium grade leathers, have a slightly more shaped last than a mass produced shoe, and will be of better quality overall. However, within the bench grade category of shoe, there will be some makes that are better than others, say C&J versus Loake.

Hand Grade

Edward Green, Photo Courtesy Of: Leffot

A hand grade shoe, will start off like a bench grade one, only that there will be more handwork involved, mainly in the finishing part of production. Things like the waist of the shoe, will be finished with a tool that rounds off the edges (bevelled), fudge wheels being used by hand to create those ridge-like indentations on the welt in order to pronounce the stitching, and the sole will have a channel stitch (closed and clean) as opposed to an open stitch that you can see. Everything will just look a bit cleaner, a bit more artisan. The shoes will be more shapely, as they will leave the last inside of it longer (to gain a strong mold), as well as just have a more shaped last, less bulbous. The leathers all around the shoe will be better, from sole, to upper to lining. But, just because the shoe says hand grade, does not mean that it was made by hand.

Semi-Bespoke/Handmade

Deco Range, by Gaziano & Girling

I had never really believed in using the term 'semi-bespoke,' because I always felt like there was no such way to half create something for someone. As in, being that bespoke is defined as 'spoken for' meaning that something was created specifically (to their measurements when referring to articles of clothing) for someone, then how could it be semi-specific? But, that was until I learned that through Saint Crispins MTO/semi-bespoke program, not only do you get a completely handmade shoe, but they also allow you to alter a preexisting last. This means that it is like the idea of MTM suits, whereby you take a standard block and alter it to someones measurements (not perfect, but close) but then created by hand, instead of machine. This to me, would define semi-bespoke, as well as 'handmade.' Now on the other hand, there is also semi-handmade, like the Deco range by Gaziano & Girling. It is considered so due to the fact that certain parts of the shoe (i.e. the waist), were not only finished by hand, but also lasted and stitched too. Therefore certain parts of the 'making' process were completely done by hand and not by machine.

Bespoke

Bespoke Spat Boot by Anthony Delos

Bespoke shoes are shoes that are completely customized and made entirely (with the exception of the stitching of the upper leather) by hand. This invokes a long process, whereby the customer must get measured by the last maker, talk through design ideas, choose toe shapes and await for his trial fit. After the shoe company has made his last and a mock-up of the shoe for the customer to try for fit, can the shoe then be completed. It usually takes anywhere from 4-6 months, depending on whether or not the customer is new (i.e. has never had a trial fit). Be wary of anything that takes a shorter amount of time or does not involve this process. With a bespoke shoe, there should be no size on the inside, you should then have your own last (but they don't give them to you) and it should (in theory) look like a work of art, and not something that you can pluck off of the shelf...


READ MORE - Grades Of Shoe Craftsmanship

Corthay Visit Part 2: London



Back in late July of 2011, I went to Paris for a quick business trip and happened to have enough time to pop into the Corthay shop in hopes to meet the legend himself, Mr. Pierre Corthay. Unfortunately, at the time, he was away and therefore was unable to meet him but did meet his brother, who is also very much involved in the company. While it was still a lovely visit, I knew that there would always be a 'next time' for the opportunity to meet the man himself! That being, on Tuesday of last week, I was scrolling through Facebook or something of that nature (maybe a blog) and happened to notice that Mr. Pierre Corthay was coming to London for a trunk show on the Friday of that week. I knew that this was my chance, not only to meet him but to finally check out their new shop in London that had just opened last December, of which I had been meaning to go in order to give you all some info! Therein lied my opportunity to kill two birds with one stone!















When I arrived there the shop was actually closed (it was about 9:50am). I was a bit worried (as they don't list the opening hours on the website) that maybe they wouldn't open until 11am or somewhere along that time (they are in Knightsbridge after all...). Luckily, I had my smartphone on me and utilized it to find the phone number to the shop. I quickly called and happen to get ahold of the store manager, Francois, who kindly ran upstairs to let me in. He took my to the bottom level of the store, where low-and-behold, was Mr. Pierre Corthay himself! It was a bit surreal finally meeting him and I was taken back a bit by the error in my preconceived notion of how he may have been, in the sense that most (shoe) artists (in my opinion) are a bit reserved (which can be seen as cold) when you first meet them. Yet, Pierre was extremely friendly and nice, and happened to actually know who I was (quite possibly due to my visit to the Paris shop), which was quite a surprise and a comforting feeling all at the same time. We began to chat a bit, mainly about his shoes, my goals in starting my own line and how business has been for him. While the chatting was brief (as time was of the essence, for us both), it was nice to finally be able to meet the man behind some of the most lovely shoes in the world.





















After the quick chat with Pierre, a client came to visit him, so I began to talk to Francois and the young patina/shine artist (Thomas) that creates much of the magical coloring that you see on Corthay shoes. They told me that in order to give the coloring that you see on the two crocodile shoes within this post, the patina artist spends a total of 8 hours coloring in each scale one-by-one. Talk about a meticulous job. But in order to create art (as these beauties are), one must do so with precision and patience. That being, you can imagine (especially since the young gentleman was only 23) that I was insanely impressed! But when passion is involved, age no longer becomes an issue, only drive and ambition to be the best that you can.

After the quick chat with the two gentleman, I had to be off in order to not become too late for work. But I have to say that I was duly impressed with the visit and how immensely kind and generous everyone there was. That being, if you are ever in the area I highly recommend a visit, if nothing more than to admire the beautiful shoes and possibly see an artist at work....



miniature model (as long as my hand)

READ MORE - Corthay Visit Part 2: London