Showing posts with label Brogues. Show all posts
Showing posts with label Brogues. Show all posts

Croatian Bespoke Shoes -- Strugar


In the past, one may have never known all of the possibilities he/she may have had when it came to the world of bespoke shoemaking, but thanks to the internet, this all over. Even me, I must admit, would have never thought about going to learn bespoke shoemaking in Croatia, Poland, Hungary or any other country outside of England, France, Italy and Japan, before my entrance into the world bespoke shoes. I guess being in America (especially in the NW far corner), where sometimes knowledge can be limited by naivety, due to it's vastness and detachment from the rest of the world, this is the perception that you get. But having started this blog, learning how to makes shoes, and simply being in Europe, you begin to understand, that the world of bespoke shoemaking is a lot bigger than you may think. And that brings us to Croatian bespoke shoemaker, Neno Strugar from Strugar. From what I gather, it seems to be that Strugar is a family run operation, where Nino might be the son of the founder. But nonetheless, he is making lovely shoes out of Croatia, doing bespoke, as well as made-to-order. And while I can't say that I am a fan of every toe shape, I believe that the combination of leathers, coloring and patinas are simply wonderful!

Stay tuned tomorrow for a long post about my trip to Paris.

-Justin, "The Shoe Snob"

















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Life's Influence On Your Shoe Collection



It's truly amazing how you evolve as a person, not only with the way you think but with the way you behave, with the way that you dress, with the way that you do most things really. Thinking about what I wanted to write about this morning I was just think about me being in this place in time, and how different I am compared to 2 years ago, when I was in Italy, and even 5 years ago, when I was just getting out of university, in Seattle. It's amazing to think of the transformation of being since that time, particularly with how my shoe tastes have changed. I wish that I never had to get rid of any of the shoes that I have owned as of 7 years ago so that I could put them into a line, in order of purchase date. This would allow me to truly capture the details in how my thinking and tastes have changed, and ultimately --as I would regard-- evolved.


When I was younger, I used to just buy shoes because I liked the way they looked, that being, I liked their styling. I would buy them, and wear them proud. But when I moved to Europe, I started to noticed how I no longer liked my old shoes and wanted to have things that I actually loved the shape of, not just the styling of them. I wore things before that were way too elongated and pointy. And even though, that was the style and what was available back then in the States, it quickly became quite boring for me. It's a shame too, because I had so many nice things, that I wished I would have been able to keep. But I could just not stand them anymore. So, thinking about what I like now and what sits in my closet, I still have some classics that I have had since the very beginning, things that have managed to withstand the time of trends and passed through them, as well as things that I would have never like before but that I do now, such as my Gieves & Hawkes (by Edward Green) loafer  that I have Paulus Bolten give a patina to.






At the age that I am, I feel like I have gone through all of my changes and will no longer have such drastic alterations in my thought and dress sense. Granted, I will always go through phases where I will love loafers versus everything else or maybe only want to get full-brogues, but overall, I have come to know that a shoe's shape is what draws me to it. It's credibility in it's quality (does not have to be only the high end, but good enough to stand a couple of years in London weather) is what is going to sell me and it's styling is what's going to capture my attention. But you never know, if I one day move to Japan, and have another culture influence my very being, I just might start wearing only crazy colored shoes, and never go back from that! (not likely...)

All Shoes By: Gaziano & Girling, Top 2 Pictures Courtesy Of: Leffot


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Shoes -- Part 2: Style Names & Terminology -- Brogues


The term, brogue, is a word that can describe many many styles of shoe within the shoe realm. It is because of this that it is commonly misused and due to this misconception, I wanted to dedicate an entire post on brogues and what they really are. First off, let me start by saying that a brogue can be used to describe any shoe that has perforations in it (little holes). Because it ranges in such depth, you might find that the term can sometimes be confusing and attributed incorrectly. Therefore, let us begin the brogue education. The word brogue was first heard and used by the Scottish and the Irish in the late 16th century. But it was not until later that it became something that was used to describe shoes. As you may think of it now, a brogue in it's original use, also had holes in it, but they were actually functional, being that they used to drain the water that would get in a person's shoes, from walking across a wet terrain. Up until the early 1900's they were still considered a very casual shoe. It was not until later that they became what they are today: a super-hip dress shoe!

Full Brogues:

Full brogues, as shown above and directly below, are categorized by several things. First and foremost, they must have a wing-cap toe. Without this, it is not a full brogue, it will be called something else, of which I will get to below. The second thing is that you will find that full brogues will have each of the 5 pieces to the upper: cap, vamp, facing, quarter and counter (in case this is your first time reading, I described all of these here). It will always be the shoe with the most amount of perforations. Now, there are several shoes that may look like a full-brogue but will not be, because they won't have these 5 pieces, such as the Brummell shoe by Edward Green. While I find this shoe much more appealing than a full-brogue, it sadly is not considered one, as it does not consist of all of the necessary components to make it so. Full brogues, however, are in my opinion the most well rounded shoes in dress shoe history, as they can look good with everything, from suits to jeans. This is obviously subjective, but can easily be proven by putting together the proper outfits. Now this can be up for debate, but I was always under the impression that a full brogue needed to be an oxford and not a derby, which would therefore categorize the picture below the 2 directly under this writing to be a semi brogue. However, this I am not 100% sure about.












Semi Brogues (AKA Half Brogues):

Semi brogues are the full brogues cousin. They can look exactly like a full brogue except that they will have a cap toe (as opposed to a wing cap) and also have a medallion (decorative perforations) on the toe. This is a very common shoe in the business industry as a cap toe generally denotes a business setting. Obviously though, you won't find too many spectators, such as the one above, in the corporate environment. On that note, you will notice that a spectator, which is a style of shoe, can also fall under the brogue category as well as something else, like just calling it a cap-toe or a wingtip. All of these style names, as you can see, can sometimes be interrelated.



Quarter Brogues:

As you can somewhat see, the lesser down we go, the less perforations you will find in the shoe, and the more dressier the shoe will be. Quarter brogues seem to be far less common, at least from what I notice, especially in comparison to the full-brogue, which are among the most common of shoe styles. Quarter brogues are certainly not among the most stylish, when it comes to design, and maybe therefore this is the reason why I don't notice them as much. They dwell in appreciation of being simplistic and are therefore used as a conservative shoe for conservative occasions, such as working in the financial district. You will find that the majority of quarter brogues are going to have a cap toe. It will be uncommon for you to find a wing tip quarter brogue, as most designers seemed to be inclined to add all of the other pieces to the vamp when designing a wing cap shoe. But this is just my theory, let me grab my pen and paper and see how it actually looks! You will also notice that it must have not have a medallion on the toe, or else it becomes a semi brogue.




Longwing Brogue:

Ahh, the longwing brogue. This is the shoe most loved by Americans and American shoe companies. I was actually going to try and fill this entire post up with Edward Green's but just realized that of course, they don't a make a longwing brogue, at least not that I have ever seen. That being, I must give it up to the longwing master, Alden, as pictured below. The longwing derives it's name from the fact that the wing cap, instead of ending at the joints of the foot, extend all the way back to the heel, creating a long-wing-cap AKA longwing. You really don't see this shoe made too much outside of American shoe companies, with the exception of maybe trickers. I don't know why really? Maybe because they are generally made in a bulky fashion, but I must say that they can look good with a nice pair of jeans.










Top Two Pictures (directly above): Alden, Bottom Picture: Tricker's

All Other Pictures: Edward Green

Some Pictures Provided By: Leffot & Leather Soul

While there are many other shoes that have perforations on them, such as a monk brogue, it is pretty easy to understand what they might be labeled, or in actuality the fact that they might simply just fall under the casual title of 'brogue,' and truly not have a proper style name. Well, it's been a long one and I need to go and enjoy what's left of the sun, so until next time, enjoy the post!

Sincerely,

-Justin, "The Shoe Snob"


READ MORE - Shoes -- Part 2: Style Names & Terminology -- Brogues

Today's Favorites - Foster & Son


When you think of bespoke shoemakers, you tend to get lost in all of the big names: John Lobb, Cleverley, G&G, Koji Suzuki etc. but you rarely will think about smaller, yet extremely credible makers such as Foster & Son, of whom have an incredible history. It's a shame too, because they have some of the most beautiful shoes that I have ever seen as well as make some of the most elegant last shapes around, which makes sense as they have one of the most famous last makers in history (Terry Moore) still providing service there. For those that don't know, Foster & Son, is actually one of the oldest, if not the oldest, bespoke firm still providing a service, dating back to 1840 (even older than John Lobb who started in 1866). Not only that, but as I stated before, they have Terry Moore, who was the last maker of Peal & Co., before they closed down, which was the oldest company in shoe history at the time of closure in 1965, being 400 years old. With that transition, Foster & Son, not only got a great last maker but also all of the patterns, lasts and client list from the old Peal & Co. And still to this day, they are providing a great service, while at the same time, making lovely shoes....Check them out on Jermyn St., London, when you have a chance. You won't be disappointed, especially as they have an incredible archive of old shoes....











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My 7th Self-Made Bespoke Pair


As many of you may know, I have been away for the last 3 days, making a pair of shoes for myself, hence the long time without posting nor replying to emails (for those that have mailed me, I promise that I will reply). Sorry for that delay in writing, but I had forgotten that the B&B that I stay at does not have wireless internet access, go figure... Anyway, not even sure I would have had time to post as I was slaving away trying to crank these bad boys out in that 3 day time period. But alas, they are done and looking better than ever!!




So evidently shown by the pictures, you can see that my new green shoes did not start as they look now. In fact they were a rejected upper from G&G (the Rothschild) that was cream colored, which had a couple of blemishes here and there and a few stains. Not really wanting that as my upper, I had been struggling with what I wanted to do with them. At first I was thinking the purple route, but quickly botched that idea as I decided that I wanted something that I would probably wear a little bit more often. As I have literally captured the entire color spectrum in my shoe collection (with the exception of pink and orange, real orange that is), I have now come to the point where I am doubling up on colors. I have been keen on the idea of green shoes for awhile since I have been without my Sassetti's for quite some time now, as they are sitting in a storage box just screaming to get out. Therefore, I decided to give it a go as I saw that the local cobbler was selling green leather dye and the rest is history...















Being that this was my first real patina that I was going to create (with dye and all), I wanted it to be fun and unique. I decided that as I had made the sole black, I was going to use black as the background color, to give it somewhat of an antiqued look. I started this by blacking-out the perforations in the upper with a sharpie (permanent marker). This ended up being great and looked so good that I was almost tempted to just shine it, leave it cream-colored and call it a day. But my urge for green got the best of me, and I decided to push on.

So, I took out my dyes (green and black), mixed them and began applying it with a sponge, rubbing it in circular motions to not get any blotching going on. I emphasized the toes and heels by actually applying too much, which left it black looking from the effect of the leather getting too wet. After spreading it around, I began to use the little applicators that they provided with the dyes that I purchased. There were actually two different ones, which ended up being perfect as one was good for spreading around and the other good for getting in small places, like underneath the gimping (piranha tooth like design on the brogue detailing) and in the welt area. After I had applied the dye and it was done, I let it sit awhile before I started to add my navy shoe polish to it, to really bring up the colors and darken it a bit. And boy, did it work. For being my first time ever doing a real patina, I was quite pleased with the way it turned up. Those 3 days work and 30-something hours, now paid off....


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