Showing posts with label Wingtips. Show all posts
Showing posts with label Wingtips. Show all posts

Shoes -- Part 2: Style Names & Terminology -- Brogues


The term, brogue, is a word that can describe many many styles of shoe within the shoe realm. It is because of this that it is commonly misused and due to this misconception, I wanted to dedicate an entire post on brogues and what they really are. First off, let me start by saying that a brogue can be used to describe any shoe that has perforations in it (little holes). Because it ranges in such depth, you might find that the term can sometimes be confusing and attributed incorrectly. Therefore, let us begin the brogue education. The word brogue was first heard and used by the Scottish and the Irish in the late 16th century. But it was not until later that it became something that was used to describe shoes. As you may think of it now, a brogue in it's original use, also had holes in it, but they were actually functional, being that they used to drain the water that would get in a person's shoes, from walking across a wet terrain. Up until the early 1900's they were still considered a very casual shoe. It was not until later that they became what they are today: a super-hip dress shoe!

Full Brogues:

Full brogues, as shown above and directly below, are categorized by several things. First and foremost, they must have a wing-cap toe. Without this, it is not a full brogue, it will be called something else, of which I will get to below. The second thing is that you will find that full brogues will have each of the 5 pieces to the upper: cap, vamp, facing, quarter and counter (in case this is your first time reading, I described all of these here). It will always be the shoe with the most amount of perforations. Now, there are several shoes that may look like a full-brogue but will not be, because they won't have these 5 pieces, such as the Brummell shoe by Edward Green. While I find this shoe much more appealing than a full-brogue, it sadly is not considered one, as it does not consist of all of the necessary components to make it so. Full brogues, however, are in my opinion the most well rounded shoes in dress shoe history, as they can look good with everything, from suits to jeans. This is obviously subjective, but can easily be proven by putting together the proper outfits. Now this can be up for debate, but I was always under the impression that a full brogue needed to be an oxford and not a derby, which would therefore categorize the picture below the 2 directly under this writing to be a semi brogue. However, this I am not 100% sure about.












Semi Brogues (AKA Half Brogues):

Semi brogues are the full brogues cousin. They can look exactly like a full brogue except that they will have a cap toe (as opposed to a wing cap) and also have a medallion (decorative perforations) on the toe. This is a very common shoe in the business industry as a cap toe generally denotes a business setting. Obviously though, you won't find too many spectators, such as the one above, in the corporate environment. On that note, you will notice that a spectator, which is a style of shoe, can also fall under the brogue category as well as something else, like just calling it a cap-toe or a wingtip. All of these style names, as you can see, can sometimes be interrelated.



Quarter Brogues:

As you can somewhat see, the lesser down we go, the less perforations you will find in the shoe, and the more dressier the shoe will be. Quarter brogues seem to be far less common, at least from what I notice, especially in comparison to the full-brogue, which are among the most common of shoe styles. Quarter brogues are certainly not among the most stylish, when it comes to design, and maybe therefore this is the reason why I don't notice them as much. They dwell in appreciation of being simplistic and are therefore used as a conservative shoe for conservative occasions, such as working in the financial district. You will find that the majority of quarter brogues are going to have a cap toe. It will be uncommon for you to find a wing tip quarter brogue, as most designers seemed to be inclined to add all of the other pieces to the vamp when designing a wing cap shoe. But this is just my theory, let me grab my pen and paper and see how it actually looks! You will also notice that it must have not have a medallion on the toe, or else it becomes a semi brogue.




Longwing Brogue:

Ahh, the longwing brogue. This is the shoe most loved by Americans and American shoe companies. I was actually going to try and fill this entire post up with Edward Green's but just realized that of course, they don't a make a longwing brogue, at least not that I have ever seen. That being, I must give it up to the longwing master, Alden, as pictured below. The longwing derives it's name from the fact that the wing cap, instead of ending at the joints of the foot, extend all the way back to the heel, creating a long-wing-cap AKA longwing. You really don't see this shoe made too much outside of American shoe companies, with the exception of maybe trickers. I don't know why really? Maybe because they are generally made in a bulky fashion, but I must say that they can look good with a nice pair of jeans.










Top Two Pictures (directly above): Alden, Bottom Picture: Tricker's

All Other Pictures: Edward Green

Some Pictures Provided By: Leffot & Leather Soul

While there are many other shoes that have perforations on them, such as a monk brogue, it is pretty easy to understand what they might be labeled, or in actuality the fact that they might simply just fall under the casual title of 'brogue,' and truly not have a proper style name. Well, it's been a long one and I need to go and enjoy what's left of the sun, so until next time, enjoy the post!

Sincerely,

-Justin, "The Shoe Snob"


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Shoes Of The Week - Saint Crispins


When I first got into the shoe industry (selling shoes at Nordstrom), I used to hate loafers that had kilties on them, especially when they were paired with tassels. It was simply a bombardment of materiel that overshadowed the shoe itself, especially since they tended to be on those really low-cut loafers that you find popular in the States. It was until Church's came out with their vintage line and paired a kilty with a proper shoe (model: Kaber) that I began to like them. Now you see them popping up everywhere, and it's almost become the trendy thing to do in the shoe industry. And why not? It offers something unique, can truly transform the look of a shoe, and is a nice testament to how shoes use to be back in the old days.

But when I saw this model above, by Saint Crispins, it completely confirmed my liking of the kilty, placed elegantly on a shoe. Everything about this model is right. All the proportions are dead-on, the length of the kilty is perfect, the strap is thin and elegant, and the brogue pattern is beautifully positioned in all the right places. I am actually filling with envy as I write this, because the more I look at this shoe, the more that I want it, and the more that I realize that I cannot afford it. So I will leave it at this and wish all a fantastic weekend!

Picture Courtesy Of: Leather Soul
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What I Am Wearing


I don't get to wear suits as much as I would like to, but when I do, I try and make sure that I stand out. Not in an egotistical or 'look at me' way, but in the sense that I throw in some color so I don't feel like I belong in the sea of dark suits/white shirts/dark ties. Not that I don't think that this standard look has it's time and place, and can look magnificent, but as I am a guy who appreciates a bit of color, I love to experiment with my combinations. Some of them come out great, some of them come out a big dodgy, but nevertheless, I always try and have some fun with it. I have really been loving teal these days so was anxious to pair it with a bit of navy, as I think that they compliment each other quite well, hence my socks/shoes and shirt/tie combos.

Enjoy the rest of this bleak Tuesday, and stay tuned for tomorrow!

Shoes: Gaziano & Girling "Astaire" MTO (Midnight blue calf/navy suede)
Suit: Gieves & Hawkes
Shirt: Primark
Tie: Hardy Amies
Socks: Septieme Largeur





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Shoes Of The Week - Perfetto


Hands down, these are among the coolest boots/shoes that I have ever seen. Every single detail is bang-on, the styles are amazing and the mixtures of fabric with leather are extremely well-executed. The more that I see shoes that are either designed, or made by Japanese people, the more I feel that the Japanese are surely becoming the masters of shoes. I had never heard of this brand, Perfetto, but upon stumbling across them, I fell in love instantly. And what shoe love wouldn't? After researching a little, it seems that they were an up-and-comer at the last Pitti Uomo, which means that with cool shoes like this, we can expect to hopefully see much more of them as they get purchased by stores around the world. Granted many stores buy rubbish shoes, so maybe we won't, but nonetheless I believe that they will be successful. And believe it or not, this model above, is definitely an example of something that I would still buy, even when I have my own line.....

On that note, let me tell you that I will be getting 8 of my 13 samples on Monday, so be on the look out for a picture or two, for sneak-previews sake!

Majority of Pictures Courtesy Of: The Suitorial











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Shoes Of The Week - Saint Crispins


When I first saw this pair in one single color (posted here) I fell in love with them. But when I saw this pair, by Saint Crispins, in a multiple leather type two-tone, I was absolutely blown away. Time and time again, they make the exact thing that I feel needs to be more present in the shoe industry and it makes me smile to know that other makers/designers appear to be thinking the same thing. So, it comes as no surprise that this company continues to grow, having their shoes being carried at more and more stores around the world, all while they carry a price tag of around $2000. This particular shoe just might be one of my favorite models in circulation at the moment. Not only does it remind of what they used to wear back in the early 20th century, but represents shoes as a piece of art, because looking at this, I would not know whether to wear it or place it on my mantelpiece. Just joking...I would definitely rock them!

Pictures Courtesy Of: Leather Soul


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What I Am Wearing - Spectators



It's not very often that I break out my pair of 1920's Chicago gangster-style spectators, but I always love the reactions that I get when I do. It's funny, because I never thought of them as "gangster-style" but this is a frequent comment that I receive amongst my colleagues here in London. I always looked at them as a very dandy-ish style shoe that elegant gentleman wore in the southern states of America when they wanted to dress up for festive garden parties or the likes of that. And while I am sure that their history goes back in a much more extensive way than that, it's just something that is embedded in my mind, being American and all. But now that I am one of the millions of viewers that watches the magnificent series, Boardwalk Empire, I can understand why they may receive this 'gangster' moniker. Nevertheless, there was a period when Church's were doing these in all types of color options (even white with yellow) and while I wanted to get one of each, I decided that I would just go with the most classic of them, as pictured here.

Shoes: Church's
Suit: MTM Gieves & Hawkes
Shirt: Primark
Tie: XMI Platinum
Socks: Mes Chaussettes Rouges




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J.Fitzpatrick & Gaziano & Girling Collaboration


I don't know how many of you remember, but before I ever went to have my collection made up in Spain, I went to Tony Gaziano to learn how to make a pattern. He spent the day showing me using one of my very own designs. At first I thought that I would try and take another skill on board, but after seeing how intricate it can be and understanding that it would just add a few more years onto realizing my goals, I decided that I would leave it at that and maybe come to it at another point in life. But, that day was very integral to my knowledge in understanding why a pattern (and how it fits on the last) is so important. I realize that it is not just a shape that makes the shoe, but how the design (pattern) fits on that shape. How it compliments the curvature of the last. This is something that I am now struggling with in my own prototypes. Getting the pattern to fit the last, properly, is no easy feat, especially on your first round of making them. They usually need adjustments. 













Needless to say, this is the final result of my design. You may say, 'oh this is nothing unique,' but if you look carefully, I have extended the adelaide to follow the top line of the shoe, giving it sort of a 'wing-like' characteristic. As well as that, I have minimized the heel counter. I did that because I wanted to emphasize the flannel that I used, so that it would be the main focus of the shoe. And even though some might find these characteristics to be unpractical, I find them to be the refreshing difference to everything else that already exists.
















As far as the construction of the shoe goes, allow me to explain. So after Tony and I (really just Tony) completed the pattern, we had one of the closers that he uses sew all of the pieces together. This proved to be a difficult request due to the nature of the fabric. Yet, after a struggle, he still managed to do so and ended doing a very good job on such a difficult piece. The intention was then for me to make the shoes myself, but after a couple of complications, including lack of time and the fragility of the upper, we decided to just have it made in the G&G factory on the DG70 last. And as a surprise, they ended up constructing it with the Deco standard of construction and finish, to give it more of that 'handmade' feel. So that being, the concoction that you see presented here is designed by myself conceptually (and on paper), with the pattern done by Mr. Tony Gaziano, and then made up by the wonderful workers at Gaziano & Girling. The only downfall to all of this, is that this shoe will unfortunately be a one-off, as the flannel used is far to delicate and difficult to put into mass production. But, the design will be something that I incorporate into my first collection.


(Just to reiterate for clarification, this shoe will not be available by either side, and in the future, the design will be made available by me, not G&G)


READ MORE - J.Fitzpatrick & Gaziano & Girling Collaboration

What I Am Wearing



The more and more that you see my personal collection, the more that you will realize that I love to gravitate towards two-toned shoes. This is actually a pair, despite being colors that I don't particularly think go that well together, is one of my favorite models. The only shame is, the more that I spend wearing bespoke shoes and shoes that come in narrow width, the more that I feel that many of the shoes that I bought in America, are too big. In the sense that being the fool that I can be, I would just always buy US 8D, thinking that they would be fine. But like shoes do, some fit bigger than others, and if you look closely you will notice that the sides of these are gaping, indicating that there is too much space. Needless to say, after wearing these for the first time in about a year or two, I came to the conclusion that I am going to sell them, as I no longer need them and need to free up space in my miniature European closet. So after I clean them up a bit, I will be putting them up for sale! Be on the look out if you fancy them.

Shoes: Magnanni
Suit: Gieves & Hawkes
Shirt: Primark
Tie: Gieves & Hawkes




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